David Cade
		dada phone the animal is swallowing another being fore paws and tail of a sea bird inverted, it is not clear what animal is meant its head is reversed it represents a small ring a totem pole split, both sides carved the dorsal fin split the animal here represented, on a very large scale in profile, a slate dish design is a design from basketry the porcupine quill embroidery of tribes of the interior a type of basketry zigzag, twilling a central band flying geese tying, the use of a central band which separates two broad design bands a single undecorated line of stitched woe droppers, the bands quite irregular generally quite independent all at the expense of the animal form a central face forced to brake hydraulic, hydra-like, a water serpent a water carrier, a myth where arbors form a square in effect, a person, but its place in a state of receptivity, in manner provoked in a sort of hazarded encounter – arising on the side, not chosen of which the allure, singular, to be a sign of the hazard, the hiding place of which he was of a new spirit of which the star we placed on the objective hazard will not cease to search the manifestation in the vases communicating the infinite movement, the confession disdained the last footsteps, retaken, between us – adding more, yet cutting out of the vase of crystal of the bohemian of the vase of cries of the vase of the horse in the language of children